A PARTICULAR MOMENT IN TIME

The same credible
witness cited in the
following in unexpected arrival
during the height of an interesting sonic test
was also on hand a year later to enjoy 'The Jaw Dropping Demo'.








Note the clock radio
dangling by a thick elastic band
from a copper pipe held on a Fisher laborary
stand with porcelain base. This stand, and the dangle angle
of the clock radio, have been meticulously positioned in terms of
both precisely oriented location, and height, after many
hours of tests determining the locale set place
for the stand and also the radio on the
pipe. Due to the fact that the
hollow pipe had a sound
accord of its own
a great deal
of work went into
blending the pipe's sonic
contribution with that of the radio.

Another setup
shown in close detail
reveals the 'Ferris Wheel' made
of plastic bead starflakes around a hexagon rim.







The copper pipe
supporting the radio
can just be seen along the
right edge of the photo, whose intent
was to show the layout of the cutouts in more clarity.
It was lucky that any of the pipe was
included in the picture.

Off camera to the
right, the small Mono
clock radio hangs dangling
by its thick elastic from the copper
pipe swung to ideal focus on its make shift stand at
the end of the computer work table, on which the array of paper
cutouts is being used to test generation of sonic sound, range, and
penetration in terms of more high top end, lower bottom end.
This experiment successed in producing a loud volume
output concidered equal with a loud home stereo
of the kind designed for heavy metal and
lead rock musics, the rough edges of
that kind of more raw sound not
concidered objectionable to
non fidelity buffs. This
experiment was under
way when in came
a credible
witness
enthused
about the sound
of the new stereo as
he entered the front door up
the corridor and was somewhat amazed
to discover it was all coming from this small
sonic apperature source in the dining room. The whole of
the house however had been totally tuned to the max to get that sound
and it didn't last, every unstable, it came and went with the
slightest of disturbances in the environment and would
not push beyond a certain point. But, it was loud.
You could hear it out in the street. I went
and got a neighbor from two doors over
to listen to make sure I was not
crowing about the volume
alone.


read the jaw dropping demo narrative


see the jaw dropping demo photographs



DESCRIBED AGAIN

There are two witnesses cited,
the next door neighbor from two doors
over, and a retired RCMP chief formerly supervisor
of Prime Minister Security for Canada. This is the fellow reported
further above, who came into the dining room thinking I had
a new stereo because last time by for an update of Virus
Alert I had forgettable sound tests underway
not worth repeating.


The narrative
'The Jaw Dropping Experiment'
mentions this above experiment underway
a year prior in the dining room which was home
to my computer work station at which which was being written
and developed on a daily basis improvements and updates to 'Virus Alert'
Antivirus by Look Software. These above two photos are what was
underway at that time, both of them are images of a clock
radio experiment cited in 'The Jaw Dropping Demo'.
A mono FM clock radio with one two-inch
tweeter is laying flat on a stack
of encyclopaedias, and it also
hangs swinging, dangling
up in the by a sturdy
elastic band, from
a piece of pipe,
as open air
non-solid as
you can get using
the cheap clock radio.
On the computer work table is
an array of geometric paper cutouts
held upright by supports, both supports and
cutouts from previous 'pyramid' experiments now abandoned.
The array on the worktable, on a slab of mahogany plywood so it can
be rotated, excited the sound eminating from the clock radio, such that it
could be heard afar out in the street, not just at the front door, but
beyond the walk alongside the two-car garage, out to the end
of the driveway, and standing out in the middle of the
street with the front door open. In circumstances
normal (no sonic excitements) the clock radio
produced nothing but high pitched shriek at
high volume. At normal volume there was
neither cymbols nor base. In the excited
situation the clock radio produced both
high hat and cymbols, and base, at high volume,
both heard out in the street. The downside was that it
was a very hard barky sound but a kind of sound as if you the
listener were standing in the middle of the band when hearing the array
play in the dining room. That summarizes these two photos. The gist
of their content being that even a worst case turkey (the clock
radio) could be made into a peacock by sonic resononce tests.
The word 'Peacock' is a chosen word. Have you ever heard
a peacock sound off? These beautiful birds, full tails
spread in wide spread glory, strut around and sound
off issuing the most dismal 'noise' you have ever
heard in your life coming from a bird. What a
shock, the first time you hear a peacock
sounding off.

Initial stage.
The clock radio was
flat on a stack of books.
In this experiment, goodstuff did
not really start to happen until the clock
radio was set dangling from the piece of copper pipe
by an elastic band where it could be easily rotated and had
more freedom in terms of overall movement as to where to sit the
support stand and pipe on the stack of books. The pipe embodiment raised
the sound generator (radio) higher in the air for substantial
improvment in quality of sound to work with.





The array of cutouts
was set on a slab of mahogony
plywood so the whole of it could be rotated
by small degrees testing resondent angles. In this settup
the cutouts are in a basic six sided figure. Other tests had the
cutouts set end to end in a flow tube arrangement, yielding
slightly different results, ie, less fidelity more
stereo vrs more stereo more range less good
and proper fidelity. Fidelity means
authentic to original sound for
instance a sax sounding like
a sax and not screaming.
The mahogany slab is
in photos further
above.










The getto blaster
consul can just be made
out at the right of the table in
this dim masterpiece of modern photography.
The experiment started with the getto blaster and switched to the radio
out of curiousity to see what would happen to such a radio. You
know the kind, FM but mono with just one little speaker,
beside the bed, going off first thing in the morning
with naked high pitched racket at low volume, the
volume cranked high and the sound just breaks
up into nothing but noise. Well, this, was
coaxed, to produce stereo including base
drum, heard all the way in the front
street. It was a most successful
experiment testing room tuned
environmental resonance
boosting techniques.
I ran the series of
3 photos in this instance
to show the tight quarters in which some
experiments occurred. These tests were done in everything
but laboratory conditions with no controls whatever. Not a single clipboard
with data sheets ticked off and spewed from computers. The only time
a lab coat was worn was a few occasions in which tools and small
parts filled the pockets. A lab coat got in the way and was
otherwise never used, there was no conceit making it
necessary to have the costume as well as the
moxie. Most of the experiments were done
wearing sleaveless slogan tee shirts
and summer sports shorts winter
included, and bare feet at
all times. Comfort.

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